Zelda Page 2
On July 24, 1900, the Sayres’ sixth child, a daughter, was born at home on South Street. Minnie was nearly forty and Judge Sayre was forty-two. Minnie was still an avid reader and she named her baby after a gypsy queen in a novel: Zelda. Marjorie was fourteen at Zelda’s birth, Rosalind not quite eleven, Clothilde nine, and Tony seven. From the beginning she was her mother’s darling and her pet. She was the only one who took after the Machen side of the family, for Zelda was as fair, golden, and blue-eyed as the other children were dark. Treasuring the baby who would undoubtedly be her last, Mrs. Sayre nursed Zelda until she was four years old. She showered her with attention and praise; her faults were quickly excused.
Zelda was like a rush of fresh air into the Sayre household, lively and irrepressibly gay and wayward. Her sisters and brother were too old to be true playmates and they remember her only in motion: running with a dog, flying on a swing hung from a magnolia tree in their back yard, racing on roller skates as soon as she could stand well enough to navigate on them, swimming and diving fearlessly. And dancing. Showing off new steps and imitating dances she had seen.
When Zelda was asked later in her life to describe herself as a child, she said she was “independent—courageous—without thought for anyone else.” But she also remembered herself as “dreamy—a sensualist,” who was bright and loved sports, especially imaginative, active, competitive games. “I was a very active child and never tired, always running with no hat or coat even in the Negro district and far from my house. I liked houses under construction and often I walked on the open roofs; I liked to jump from high places.… I liked to dive and climb in the tops of trees—I liked taking long walks far from town, sometimes going to a country churchyard where I went very often all by myself.” In summary she said: “When I was a little girl I had great confidence in myself, even to the extent of walking by myself against life as it was then. I did not have a single feeling of inferiority, or shyness, or doubt, and no moral principles.”
People in Montgomery still remember Zelda as being “smart as a whip” and “quick as a steel trap,” and recall seeing her pulling a red wagon with her rag doll Patsy in it and her little dog running behind. Once she arrived late at a birthday party carrying a big pot of pink geraniums. It seemed to be such an unusual gift that after the party the mother of the girl for whom the party had been given called Mrs. Sayre. After hearing the story, Mrs. Sayre said, “So that’s what became of my geranium!”
Mrs. Sayre indulged Zelda completely and was charmed by her. What direction or discipline Zelda (who was to be called Baby by both her mother and her father all her life) required was left to the Judge. There was a disarming vagueness and pleasant permissiveness about Mrs. Sayre. One of the Sayre children has said, “We were all independent characters, especially for Montgomery. Mother didn’t supervise us very much—I don’t know why; it was just the way our family was.”
Minnie Sayre was not thought to be “socially minded” by her neighbors, and people weren’t quite sure how to take her. There is a story that Zelda’s sisters used to bathe on their back porch. One day a group of respectable ladies felt they had to tell Mrs. Sayre about the young men who were watching the girls. They suggested that the girls bathe elsewhere. Mrs. Sayre is reputed to have replied, “Why should they? God gave them beautiful bodies.” The women quickly retreated. Mrs. Sayre was undoubtedly aware that such advice would not be repeated if she met it head on. If her neighbors found her a little odd, or “artistic,” as some of them chose to express it, perhaps she found them dull and provincial. To the end of her long life, when she had become known by everyone as Mama Sayre, she would insist that there were certain things she did not know about Montgomery, because she was not a native (although she was to live there for seventy-five years).
In Zelda’s scrapbook there is a snapshot of her mother and father and herself when she was about five. Her father’s face is entirely in the shadow cast by the brim of his white straw hat, his dark suit shines as though it were made of black silk, and he is leaning gently upon a furled black umbrella. Minnie, with stray wisps of hair curling out from beneath her hat, stands looking full face into the camera, solid and matronly in a white blouse with a high, snug collar. Zelda stands close to her mother, holding Patsy’s face pressed next to her own; her fair hair, cut in a Dutch bob, is very straight. None of them are touching or smiling.
Zelda started school in 1906, but didn’t like it, came home, and refused to return. Her mother waited another year, until she was seven, and sent her again. This time she stuck. At about the same period in her life, the family moved from the house on South Street, which had become too small for them, to another on Morgan Avenue. They were to move twice again before settling at 6 Pleasant Avenue, where Zelda lived until she married.
The Pleasant Avenue house was a roomy white frame building with five bedrooms and a large brick front porch. Zelda’s room was upstairs at the front of the house, above the tin roof of the porch, and overlooked gardens which were all that remained of the old Wilson plantation. It was painted white, with light cotton curtains and a plain white bed in the corner. A friend of hers said it looked like a hospital room in its spartan simplicity. All her life Zelda remembered the fragrance of the pear trees across the street that filled her room at night. She awoke in those soft, suffocatingly warm Southern mornings to the cries of black women taking their wares to market at the foot of Court Street.
The Sayres always lived in what was the silk-hat district of Montgomery, on “The Hill,” but never in one of the more elegant residences of the area. About forty thousand people lived in Montgomery at that time, and it retained all the charm as well as the many restrictions on privacy of a small town. Certainly most of the families in the Sayres’ neighborhood knew each other. They tacitly considered themselves the “thoroughbreds” of the genteel South, although it would have been considered a breach of decorum to mention it. Behind their backs in the surrounding blocks the residents of The Hill were called “The Elite and Sanitary,” with a measure of amusement and more of envy. For in Montgomery it was never simply wealth that counted socially, but family. There were very definite lines of social distinction; one was not invited to parties on The Hill if one was in trade, or Catholic, or Italian, or Shanty Irish. World War I would do a little to change the social rigidity, but for the time being it persisted. The young ladies of these families were expected to behave themselves, to be decorative and charming. One was taught to sit without letting one’s back touch the chair, to cross one’s ankles, but not one’s legs. White gloves were buttoned before one left the house and remained immaculate in the warmest weather. Zelda must have chafed under these restrictions. She was too full of life and deviltry to follow the rules for long, or to be throttled by them.
A younger friend of hers, Sara Mayfield, who was also the daughter of a judge, remembered one of Zelda’s shows of spirit. The May-fields had invited her for a ride in their new brougham, which was their mother’s pride. It was equipped with the latest fixtures, glass windows, and tufted red leather seats. As soon as Zelda laid eyes on it she said, “If I had a pumpkin, I’ll bet I could make me one!” And then quickly, before anyone realized what she was up to, she climbed into the driver’s seat and gave the matched bays a hard slap. The carriage shot forward, careering wildly toward the street. Within seconds, just as the horses cleared the gate, the hub of a rear wheel caught and brought the carriage to an abrupt stop. The family ran up to it, and Zelda calmly stepped out of the brougham and ran to play with her friend. It was that special combination of nerve and defiance which thrilled Miss Mayfield. She said that from that moment she adored Zelda.
For her part, even as a child Zelda was not unaware of the effect she created. She possessed early a certain command over others, making them do what she wanted them to. She also had a knack of drawing attention to herself. Stories about her escapades abound in Montgomery. There is one about when Zelda, having nothing better to do on a fine summery day, called
up the fire department and told them that a child was caught on a roof and couldn’t get down. Then Zelda got a ladder, climbed up to the roof of her own house, pushed the ladder away and waited. The fire engine came clanging its bell and the neighbors rushed out to see where the fire was. There Zelda sat marooned, and delighted by the commotion. The Judge had no sympathy whatsoever for such pranks.
In 1909 Zelda’s father was appointed an associate justice of the Supreme Court of Alabama. His salary was $5,000. Her oldest sister, Marjorie, who had been teaching in the public schools, married that year, and Zelda began ballet lessons. As it later turned out they were to make a lasting impression upon her.
With sisters so much older than she and a brother to whom she apparently never felt close, Zelda was left to her own devices. Later in her life she said that she had no memories of a youth shared with any of them. She thought her sisters rather pretty (Clothilde was by reputation the prettiest after Zelda, and it was Clothilde with whom she quarreled most), but they were largely indifferent to each other. Rosalind would one day comment that Zelda was the most vigorous and healthy of all the Sayre children and that her one great attachment was for their mother.
There were summers spent in the cool mountains of North Carolina during the adjournment of the Supreme Court; from the time Zelda was ten she usually went with her parents while a relative from Kentucky stayed with the older Sayre children in Montgomery. They stayed at a hilltop inn in Saluda, where it was quiet and the food was delicious. There was nothing to do but sit on the veranda and look at the mountains or take walks to the post office in the tiny village below, or perhaps pick blackberries before the sun got hot. Sometimes the whole family would go to Mountain Creek in Alabama for the summer, with the Judge coming up on weekends. When he arrived his pockets would be filled with penny candies and he would take Zelda for walks by the railroad tracks to get handfuls of beautifully colored clay and would mold tiny animals for her. One of Zelda’s sisters remembers, “When we were children he was wonderful to us, but once we were grown I guess he just figured we were on our own. I know he must have loved us, though.”
In 1914 Zelda entered the new Sidney Lanier High School. Her teachers found her mischievous, but an apt pupil. In her first year she maintained a high B average, was rarely absent, and consistently did well in English and mathematics.
Her schoolmates noticed that Zelda had much more freedom after school than they did, and often instead of going directly home Zelda could be found at the local icecream parlor having a double banana split or a dope, which was a concoction of Coca-Cola spiked with aromatic spirits of ammonia to give it a slight kick. Some of the girls envied her for not having to call home first to report where she was going. She rarely did her homework at home but instead raced through it during class.
Once the class had been told to write a poem as homework. Zelda jotted hers down in class the next day, then waved her hand to be called first. The poem was not quite what her teacher had in mind, but it delighted her classmates:
I do love my Charlie so.
It nearly drives me wild.
I’m so glad that he’s my beau
And I’m his baby child!
It was a typical prank of Zelda’s. She did not quite risk becoming a troublemaker but she was quickly establishing a reputation for cheekiness. To her teachers Zelda seemed increasingly impatient, restless, and undisciplined. They had the impression that she could have done much better had she cared enough to work—and had she been more closely supervised at home. Zelda was to offer a similar explanation later in her life. She said her studies simply had no value for her. She read whatever she found at home, “popular tales for boys, novels that my sisters had left on a table, books chosen by accident in my father’s library: a life of John Paul Jones, lives written by Plutarch, The Decline and Fall of the Roman Empire by Gibbons, and fairy tales a lot.” She read Wilde and Galsworthy and Kipling, “and all I found about the civil war …. The fairy tales were my favorite.”
It was becoming clear that Zelda was just marking time at school. Her lack of interest was evident even in small details like her clothing. She wore the ordinary middy blouses and pleated skirts of the day, but hers were always worn carelessly. Her skirts, which were rolled at the waist to shorten them, were uneven, and her slip usually showed. There was a puzzling drabness, even dowdiness, about all of Zelda’s daytime garb. Her sister Rosalind, as well as several of her school chums, have said repeatedly that Zelda had no sense of style. But that lack of style must have been something she shared with her mother, for Mrs. Sayre rather than a seamstress made all her clothes. Whether she was stylish or not, at night Zelda shone in her mother’s creations. Eleanor Browder, one of Zelda’s friends from school, remembers that “Mrs. Sayre had an unerring sense of what would make her beautiful daughter glamorous and could turn out dresses of tulle and organdy that turned Zelda into a fairy princess.”
At fifteen Zelda was striking, her skin flawless and creamy and her hair as golden as a child’s. Other girls began secretly to use blondine on their hair, but Zelda didn’t need to. She borrowed rouge and lipstick from her older sisters to heighten her coloring and her powder was the whitest she could find. Eleanor remembers that Zelda wore mascara before any of the others did. Zelda was on the verge of becoming the most spectacular belle Montgomery would ever know; Mrs. Sayre’s party dresses were the first tributes paid to her daughter’s beauty.
High in a white palace the king’s daughter,
the golden girl ….
F. SCOTT FITZGERALD, The Great Gatsby
2
THE SPRING OF 1916 A BALLET recital was held in the old City Auditorium in Montgomery. It was an exceptionally hot night and somewhat surprisingly the auditorium was filled. There was to be ballroom dancing afterward and perhaps that was why so many young men had come. Zelda Sayre, who was not yet sixteen, danced a solo. She wore a stiff pink organdy dress made by her mother, with fresh flowers at her waist, and as she began to dance the audience grew quiet. Her hair was long like a child’s, and she wore it in ringlets with lovelocks at her temples. She moved gracefully and seemed completely self-assured. After her dance the young men swarmed about her. Everyone wanted to know who she was. Zelda accepted the surge of admirers as if they were her due, and that night marked her transformation into a belle. It was as complete as the happy ending of a fairy tale.
Mrs. Sayre watched her daughter with pride. Before the program began she hadn’t been sure how Zelda, who was still considered a tomboy at home, would react to the ballroom dancing. To make sure that all went smoothly she’d requested a friend of Zelda’s, Leon Ruth, to ask her for the first dance. Then, in an odd gesture of complicity, Mrs. Sayre took the young man aside and showed him a large, chunky bracelet she’d bought for Zelda. She wanted him to offer it to her when he asked her to dance. He was puzzled and said he could get his own presents, but Mrs. Sayre insisted, and not wanting to be impolite he did give it to Zelda. He remembered: “We danced for no more than a few turns and then all the other boys came around and I didn’t have a chance to take Zelda’s hand again all evening. But we did walk home together down Monroe Street to Pleasant Avenue. It was dark walking there and I felt happy to be next to such a pretty girl in her pink ballet skirt who all the boys would now be after.”
That summer a story appeared on the society page of the Advertiser beneath the silhouette of Zelda wearing a tam.
You may keep an eye open for the possessor of this classic profile about a year from now when she advances just a little further beyond the sweet-sixteen stage. Already she is in the crowd at the Country Club every Saturday night and at the script dances every other night of the week.
She has the straightest nose, the most determined little chin and the bluest eyes in Montgomery. She might dance like Pavlowa if her nimble feet were not so busy keeping up with the pace a string of young but ardent admirers set for her.
The “script” (short for subscription) dances were held
out of doors at Oak Park, where there was a large old dance pavilion with a hardwood floor. A group of young men, usually college boys, hired a dance band and then they posted a list of girls’ names on the door at Harry’s. Harry’s was an ice-cream parlor where the boys, who were called “Jelly Beans,” or “Jellies,” loafed and hung out with their girls. A young man then signed his name next to the name of the girl he wanted to take; it was first come first served, with the prettiest, most popular girls signed for first. The only hitch from the girls’ point of view was that they had almost no say about who signed for them, and their only out was refusing to go.
There were chaperones at the dances, but Zelda completely ignored them. She danced cheek to cheek, which was considered improper, and it took very little persuasion to get her to sneak out during intermission to the cars which were parked just out of sight. She “boodled” (which was local slang for necking in cars at a place called Boodler’s Bend), she smoked, and she drank gin, if there was any, or corn liquor cut with Coke, if there wasn’t.
Zelda did not have the knack for forming close friendships with girls her own age; she didn’t belong to any of their clubs, and she was not invited to their overnight parties. She didn’t indulge in the trading of confidences and gossip; she neither asked for advice nor gave it. It was the attention of the boys that she clearly preferred and got. She stopped taking ballet lessons because she was too busy going out; she had dates every night of the week. One of her beaus remembers her as “a restless person with lots of energy. She was in for anything. Let’s do something for the hell of it. I remember once at a dance that summer it got hot and Zelda slipped out of her petticoat and asked me to put it in my pocket for her until we got home. And I did. She was like none of the others.” He would pick her up for a dance and on the way she’d ask him to stop the car so she could go wading, and he’d join her, both of them all dressed up, splashing in the water, laughing. Maybe they wouldn’t make the dance at all and it didn’t seem to make a bit of difference to Zelda. “She lived on the cream at the top of the bottle.”